How do you get to Carnagie Hall?

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Here’s the thing I love best about the Harry Potter books: they make it really, really clear that using magick is like almost everything else. Some people have talent for it, and some don’t, but EVERYONE needs to be taught how to do it right, and everyone needs to practice! (You did know the answer to the title question, didn’t you?) Having good working tools helps, as Ron would point out.

Wingardium Leviosa

When I was in high school I read the book Johnathan Livingston Seagull by Richard Bach (if you haven’t read it- do, and his other books are also great), and while the rest of the world was getting excited about the metaphysics, I was struck by the physics of the book. Johnathan learned that you didn’t need to believe you could fly to fly, you needed to learn HOW to fly. This struck me as the most important point in the book.
The sixties were the Occult Explosion, and folks were exploring all the amazing things people can do from ESP to dowsing to energy healing. I was out there with the rest of them, talking to plants, and trying to have OOB (out of body) experiences. At the same time I was also diving into Science Fiction, and when they talked about people doing telekinesis or controlling their body temperature mentally I had to try it. The more I discovered that all these “crazy” things worked, the more excited I was to try the next thing.

My generation, as so many before, thought that we had discovered these phenomena. Although I discovered that while books on the “supernatural” were sometimes hard to find in the local library, I could find them in stores. I read Hans Holzer and Sybil Leek, and subscribed to Fate Magazine, checked out AMORC, read W. E. Butler, looked into folk magick (the Long-Lost Friend) and voudoo, Spiritualists, and Theosophists, everything I could find by Edgar Cayce and the A.R.E., the Society for Psychical Research, got Richard Cavendish’s Man, Myth and Magick, read Rossell Hope Robbins, Robert Anton Wilson, W. E. Butler, Israel Regardie, Jane Roberts, Dion Fortune, Max Freedom Long’s The Secret Science behind Miracles, Carlos Castaneda (of course), and Issac Bonewitts, Montague Summers, Murray and Gardner. I learned to accept that books on developing psychic abilities were grouped with tales of UFOs, Vampires, Bigfoot and witchcraft. (This rather lengthy list is to show that there were plenty of books on magick out there, although some say there weren’t.) I watched the occult sections of bookstores expand, and have watched them shrink again. I’ve watched the New Age explore The Secret and try to use the Law of Attraction because it’s so much less threatening than (cue spooky music) magick and witchcraft. I’ve also watched the media portray witches from old movies like I married a Witch and Bell Book and Candle, through Bewitched, Charmed, Sabrina, and Practical Magick and on to Harry Potter. They still seem to think that witches are a different race than humans. Go fig.

Still, no matter which direction you approach from, you are going to come down to the important bottom line. Wanting and Believing isn’t enough. You have to actually put in the hours and practice. You may well have to do an exhaustive search to find someone who can teach you HOW to do it right. (I have never found that when the student is ready the master appears.)

Some people have perfect pitch, and some are tone deaf. Some people are clumsy and some coordinated. They have finally admitted that there isn’t just one, but there are many types of IQ: musical, spatial, bodily, interpersonal, and others. The traditional IQ tests, in an attempt to get away from cultural information ended up testing for the ability to spot patterns. We all know that simply being good at math doesn’t make you good with words. I personally know that being good at one type of art doesn’t necessarily mean you’re good with other types. I can catch a likeness, but can’t draw a straight line with a ruler. I’ve also learned from my artistic endeavors (as well as my psychic ones) what any athlete or musician can tell you. You have to learn the technique, and you have to practice.

This is why I love Harry Potter and the other fictional depictions of magick that show people learning the how-to of magick. I haven’t seen the new Sabrina, but the old one ran almost every episode on the trope: “using magick to try to fix your problems will only make them worse”. This trope exists because what non-magick users think of as “magic” is getting something without working for it. (“flick and swish”) Magick users know that you have to work to do it, and that’s how it works. It may be able to accomplish things you couldn’t do with other means, but it’s not “something for nothing”.

So like Itzhak Perlman practicing scales every day, if you want to do magick, there will be daily exercises, and always something new to learn.

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